Why Alana Chose “Taste of His Own Poison”
A Dark, Fascinating Character
Alana explains that she was drawn to the role because “it was a dark character… those are more interesting, particularly as I get older in my life.”
Pure Motivation Behind Revenge
She adds, “Her motivation is so pure and so clear—even when she’s doing things that are extremely inappropriate.”
Tackling Moral Ambiguity on Set
Director’s Guidance & Emotional Beats
On finding emotional authenticity, Alana recalls her director Soren advising her: “That’s not what it looks like when a parent realizes a death… try this.”
“I trust more and push less—the camera loves spontaneity.”
Working with Cathy Hubble on Stunts
“Cathy Hubble kept every stunt safe—even with all the violence,” she says of the film’s stunt coordinator.
Transitioning to “Little Girl in the Woods”
Finding the Grieving Mother’s Headspace
“This one felt easy to get into the headspace… I’m a mom myself, with seven‑year‑old twins,” Alana shares.
Freezing Night Shoots & On‑Location Challenges
“Pitch‑black forest, freezing mountains… that night shoot was brutal,” she admits of a key scene.
From Theatre to Fast‑Paced TV Movies
Trusting the Camera vs. Theatre Prep
“I trust more and push less… the camera loves spontaneity over effort,” Alana reflects on her shift from stage to screen.
Lessons from Early Indie Films
She credits her indie beginnings with Kyle Thomas—“The Valley Below” and “Range Roads”—as her essential training ground.
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